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| Leipzig, St. Nikolaikirche | ||||||||
| Disposition | ||||||||
| Hauptwerk | C – a''' | Oberwerk | C -a''' | |||||
| 1. Bordun ab c | 32' | L | 1. Principal ab c | 16' | (L) | |||
| 2. Principal | 16' | L | 2. Quintatön | 16' | L | |||
| 3. Bordun | 16' | L | 3. Principal | 8' | L | |||
| 4. Principal | 8' | L | 4. Bordunalflöte | 8' | L | |||
| 5. Doppelgedackt | 8' | L | 5. Fugara | 8' | (L) | |||
| 6. Flaut major | 8' | NB | 6. Quintatön | 8' | L | |||
| 7. Gambe | 8' | (L) | 7. Rohrflöte | 8' | L | |||
| 8. Gemshorn | 8' | T | 8. Octave | 4' | L | |||
| 9. Rohrquinte | 5 1/3' | L | 9. Gedackt | 4' | L | |||
| 10. Octave | 4' | L | 10. Hohlflöte | 4' | L | |||
| 11. Spitzflöte | 4' | L | 11. Spitzquinte | 2 2/3' | L | |||
| 12. Rohrflöte | 4' | T | 12. Octave | 2' | L | |||
| 13. Terzflöte | 3 1/5' | * | 13. Waldflöte | 2' | L | |||
| 14. Quinte | 2 2/3' | L | 14. Terz | 1 3/5' | L | |||
| 15. Septime | 2 2/7' | * | 15. Quinte | 1 1/3' | (L) | |||
| 16. Octave | 2' | L | 16. Flageolett | 1' | (L) | |||
| 17. Terz | 1 3/5' | L | 17. Cymbel 4f | 2' | * | |||
| 18. Mixtur 4f | 2' | L | 18. Cornet 3f | 5 1/3' | L | |||
| 19. Cymbel 3f | 1 1/3' | L | 19. Basson | 16' | NB | |||
| 20. Cornet 3-5f | 2 2/3' | L | 20. Trompete | 8' | * Sauer | |||
| 21. Trombone | 16' | ** | Tremulant | |||||
| 22. Trompete | 8' | * | ||||||
| 23. Trompete | 4' | ** | ||||||
| Pedal | C - f' | Brustwerk | C - a''' | |||||
| 1. Principalbass ab E Prospekt | 32' | (L) | 1. Liebl. Gedackt | 16' | L | |||
| 2. Untersatz | 32' | Sauer | 2. Geigenprincipal | 8' | L | |||
| 3. Principalbass Prospekt C-cis' | 16' | *(L) | 3. Flauto traverso | 8' | (L) | |||
| 4. Violon | 16' | L | 4. Doppelflöte | 8' | L | |||
| 5. Subbass | 16' | T | 5. Harmonica | 4' | L | |||
| 6. Salicet | 16' | L | 6. Octave | 4' | L | |||
| 7. Terz | 12 4/5' | L | 7. Octavflöte | 4' | (L) | |||
| 8. Nassat | 10 2/3' | * | 8. Piffaro | 4' | * | |||
| 9. Octavbass | 8' | (L) | 9. Rohrquinte | 2 2/3' | L | |||
| 10. Gedacktbass | 8' | L | 10. Piccolo | 2' | L | |||
| 11. Violoncello | 8' | L | 11. Scharf | 1 1/3' | (L) | |||
| 12. Nassat | 5 1/3' | * | 12. Fagott (durchschl.) | 16' | * (1862-HW) | |||
| 13. Octavbass | 4' | L | 13. Oboe (durchschl.) | 8' | * (1863-OW) | |||
| 14. Cornet 5f. | 2 2/3' | (L) | 14. Cor anglais | 8' | Sauer | |||
| 15. Posaunenbass (durchschl.) | 32' | * | Tremulant | |||||
| 16. Posaunenbass | 16' | * | ||||||
| 17. Dulcian (durchschl.) | 16' | * | ||||||
| 18. Trompete | 8' | * | ||||||
| 19. Clarine | 4' | * |
| Echowerk | C - a''' | Schwellwerk | C - a''' | |||||
| 1. Viola | 16' | (L) | 1. Stillgedackt | 16' | NB | |||
| 2. Viola d'amour | 8' | L | 2. Diapason | 8' | Sauer | |||
| 3. Lieblich Gedackt | 8' | L | 3. Flûte traversiere | 8' | Sauer | |||
| 4. Salicional | 8' | L | 4. Viole di Gamba | 8' | Sauer | |||
| 5. Unda maris 2f ab c° | 8' | (L) | 5. Aeoline | 8' | Sauer | |||
| 6. Sanftflöte | 8' | L | 6. Voix céleste ab c | 8' | Sauer | |||
| 7. Viola | 8' | L | 7. Flûte octaviante | 4' | NB | |||
| 8. Zartflöte | 4' | L | 8. Octavin | 2' | NB | |||
| 9. Nassat | 2 2/3' | L | 9. Plein jeu 4-5f | 2 2/3' | NB | |||
| 10. Violino | 2' | L | 10. Bombarde | 16' | NB | |||
| 11. Harm. aeth. 3f | 2 2/3' | (L) | 11. Trompette harm. | 8' | NB | |||
| 12. Aeoline (durchschl.) | 16' | * | 12. Basson-Hautbois | 8' | NB | |||
| 13. Vox humana | 8' | Sauer | 13. Clairon harm. | 4' | NB | |||
| Tremulant | Tremulant |
| Koppeln | Spielhilfen | T - | größtenteils Bestand von Trampeli |
| L - | größtenteils Bestand von | ||
| II/I, III/I, IV/I, III/II, | Crescendo (Walze) | Friedrich Ladegast, 1862 | |
| IV/II, IV/III, V/IV, III/16', III/I Sub, | (L) - | Register mit kleinerem Bestand von | |
| I/P, II/P, III/P, IV/P, | Man. I - Forte zu/ab | Friedrich Ladegast, 1862 | |
| V/P, III/P Super | Man. II - Forte zu/ab | * - | Rekonstruktion zur Disposition von 1862 |
| Man. III - Forte zu/ab | ** - | neue Register in Bauweise von | |
| Pedal - Forte zu/ab | Friedrich Ladegast, 2004 | ||
| Pedal - 32' zu/ab | Sauer - | Register aus der Orgel von | |
| Wilhelm Sauer, 1903 | |||
| Setzeranlage mit | NB - | Neubau und Erweiterung durch | |
| 4.000 Kombinationen | Hermann Eule Orgelbau, 2004 |
| Konzeption / Gutachten | |||||||||||
| Fotogalerie | |||||||||||
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