Chronicle - Hermann Eule Orgelbau |
| |
1872 -
1929 Hermann Eule active (1846 - 1929)
|
 |
| |
|
|
 |
1861 |
Organ construction apprenticeship and assistant
years under
Leopold Kohl in Bautzen |
| |
|
| 1868 |
Journeyman years, employed by Carl Voigt in
Halberstadt and
Balthasar Schlimbach in Würzburg |
| |
|
| 1872 |
26 January, foundation of the organ builder
workshop Hermann
Eule in Bautzen. Up to 1900 80 new mechanical kegel lade
organs were built (largest organ: Bautzen Maria-Martha-Church,
2 Manuals, 38 Registers) |
| |
|
| 1900 |
Gradual conversion to pneumatic taschenlade
organs |
| |
|
| 1910 |
Largest organ in his working life: Bautzen
Cathedral - protestant
section, III/62 (pneumatic stop combinations)
The organ still exists. |
| |
|
| 1929 |
Opus 173 |
| |
| |
| 1929 -
1957 Johanna Eule active (1877 - 1970) |
 |
| |
|
|
 |
1929 |
Hermann Eule’s daughter took over the
management of the
company. A workforce of experienced employees and master
craftsmen stood by her.
In accordance with the zeitgeist the type of tone changed from
the romantic to that influenced by the baroque and neo-baroque. |
| |
|
| 1930 |
The newly built organ in Döbeln, Nikolaikirche,
Size III/57 is
an interesting exemplar of this epoch.
The organ has remained unchanged and was overhauled by
us in 2001 |
| |
|
| 1933 |
The first organ restoration
(Gottfried-Silbermann organ in Crostau) |
| |
|
| 1936 |
First large, new schleiflade organ for the
St. Pauli-Kreuz Church
in Chemnitz, 3 manuals, 39 registers, electrical action. |
| |
|
| 1948 |
Largest organ in her working life:
Leipzig University Church IV/80 (rebuild) |
| |
|
| 1953 |
General transition to schleiflade organs with
mechanical actions.
Study of old masters’ mensuration art and its incorporation into
organ construction which also provided the basis for the
beginning of extensive organ restoration in accordance with
historical preservation guidelines. |
| |
|
|
| |
1957 |
Opus 300 |
|
| |
| |
| 1957 - 1971
Hans Eule ative (1923 - 1971) |
 |
| |
|
|
 |
1959 |
Master’s examination, subsequent expansion
to c. 40 employees |
| |
|
| |
Tightening of work organisation so that extremely
efficient manufacture of individual pieces could be achieved. This
allowed prices to be kept at an affordable level. Introduction
of new materials which promised better resistance to climatic changes.
The new instruments created in his working life
have a consistently neo-baroque type of tone. |
| |
|
| 1961 |
Start of buoyant export activities
(Sweden, the Soviet Union, West Germany).
Up until his early death 29 new organs were supplied to West Germany and
assembled and tuned by the company’s
employees onsite. |
| |
|
| 1969 |
Largest organ in his working life: Zwickau
Cathedral IV/77 |
| |
|
| 1971 |
Opus 420 |
| |
| |
| 1971 - 2005
Ingeborg Eule active (b. 1925) |
|
| |
|
|
 |
1971 |
After her husband’s death Ingeborg took
over the management
of the company. Just as in Johanna Eule’s time a workforce of experienced
employees and master craftsmen stood by her. |
| |
|
| 1971 |
Retention of the extensive export activities |
| |
|
| 1972 |
Forced nationalisation of the East German company
(Bautzen
is in East Germany). ) In her efforts to preserve the 100 year old company
she made herself available to run the company as
General Manager. |
| |
|
| 1976 |
Restoration in accordance with historical
preservation principles assumed an increasing importance. A milestone
that should be mentioned here was the rebuilding of the Trost organ
in the
Castle Church, Altenburg. |
| |
|
| 1988 |
Transfer of the General Manager’s position
to Organ master
Armin Zuckerriedel, who had been employed by the company
since 1970. |
| |
|
| 1990 |
Re-privatisation of the company. The owner
is Mrs. Ingeborg
Eule once again. Maintenance of the company’s size of
c. 40 employees.
In the following years the company’s building was enlarged
and its machinery was almost completely renewed. |
| |
|
| |
The romantic epoch assumed increasing importance
in the
design of the tone for new organs. Restorations of organs by Ladegast,
Walcker, and Steinmeyer and from our own work-
shops are an indispensable source of knowledge for this.
But baroque organs also continued to be restored remaining
true to the original builder. A selection of organs restored in the
past few years includes instruments by Gottfried Silbermann,
Zacharias Hildebrandt, Heinrich Gottfried Trost,
Tobias Schramm, Johann Gottlieb Tamitius, Johann Gottlob
Trampeli and Johann Christian Kayser. |
| |
|
| 2000 |
Conclusion of the restoration of the Zacharias-Hildebrandt
organ Naumburg St. Wenzel, which began in 1993, remaining true to
the original builder and the acceptance report from J. S. Bach and
G. Silbermann from 27 September 1746 |
| |
|
| 2004 |
Largest organ in her working life: Leipzig
Nikolaikirche V/103 |
| |
|
| 2005 |
Opus 637 |
| |
|
|
|
| |
| Since 2005 Anne-Christin Eule active
(b. 1975) |
 |
| |
|
|
 |
2003 |
final of stadies, Dipl.-Betriebswirtin (FH) |
| |
|
| 2005 |
Ingeborg Eule’s granddaughter took over
control of the company (organ construction apprenticeship 1994 -1997) |
| |
|
| |
Largest organ in her working life to date:
Lüchow St. Johannis III/43 |
| |
|
| 2006 |
For the first time in 106 years new kegelladen
were built again
for the expansion of the Walcker-Organ in the State Academy
Chapel in St. Petersburg/Russia which was built in 1891. |
| |
|
| 2007 |
Opus 654 was created for t he Mozarteum in
Salzburg |
 |
|
|
| |
| |
| |
| |
|
|
|